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Ben Lovett, Marcus Mumford, and Winston Marshall of Mumford & Sons perform at Rexall Place in Edmonton, Alberta on 22nd May, 2013.
Photo © Ed Kaiser/Edmonton Journal.

Ben Lovett, Marcus Mumford, and Winston Marshall of Mumford & Sons perform at Rexall Place in Edmonton, Alberta on 22nd May, 2013.

Photo © Ed Kaiser/Edmonton Journal.

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Mumford & Sons perform Bruce Springsteen’s “I’m On Fire” from the back of the audience at Calgary’s Scotiabank Saddledome on 21st May, 2013.
Photo courtesy of @chant_b on Instagram.

Mumford & Sons perform Bruce Springsteen’s “I’m On Fire” from the back of the audience at Calgary’s Scotiabank Saddledome on 21st May, 2013.

Photo courtesy of @chant_b on Instagram.

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On Marcus Mumford’s involvement in upcoming Coen Brothers’ film, “Inside Llewyn Davis”

From Variety.com:
Saturday 18, May 2013
Scott Foundas/@foundsonfilm

The sounds of the early 1960s folk music revival float on the air like a strange, intoxicating perfume in the Coen brothers’ “Inside Llewyn Davis,” a boldly original, highly emotional journey through Greenwich Village nightclubs, a bleak New York winter, and one man’s fraught efforts to reconcile his life and his art. A product of the same deeply personal end of the Coens’ filmmaking spectrum previously responsible for the likes of “Barton Fink” and “A Serious Man,” this darkly comic musical drama with an elliptical narrative and often brusque protagonist won’t corral the same mass audience as “No Country for Old Men” and “True Grit.” But strong reviews — for the pic itself and its stupendous soundtrack — should make this December release an awards-season success for distrib CBS Films.

As they did with the 1940s Hollywood setting of “Barton Fink,” the Coens have again taken a real time and place and freely made it their own, drawing on actual persons and events for inspiration, but binding themselves only to their own bountiful imaginations. The result is a movie that neatly avoids the problems endemic to most period movies — and biopics in particular — in favor of a playful, evocatively subjective reality. Perhaps most surprising to some viewers will be the pic’s surfeit of something the Coens have sometimes been accused of lacking: deep, heartfelt sincerity.

Where Clifford Odets provided the inspiration for “Fink’s” eponymous playwright, Llewyn Davis (Oscar Isaac) has been similarly modeled on the late Dave Van Ronk, a mainstay of the ’60s New York folk revival whose vaunted reputation among musicians never translated into the commercial success enjoyed by many of his contemporaries. Like Van Ronk, the pic’s Davis is a guitar-strumming balladeer whose repertoire consists mostly of vintage American roots music of the sort catalogued by musicologists John and Alan Lomax as they traversed the southern U.S. One such tune, the haunting “Dink’s Song” (aka “Fare Thee Well”) becomes the pic’s melancholy refrain in a version purportedly cut by Davis and his former partner, Mike (British musician Marcus Mumford), before the latter’s suicide rendered Llewyn a solo act
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Click here to read the rest of the article on Variety.com.

Below is an exclusive video of Oscar Isaac and Marcus Mumford performing “Dink’s Song” live at Caffe Vivaldi in New York City on January 10, 2012 (click here for a rebloggable version).

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Your source for all things Mumford & Sons. Check out the links for easy navigation and enjoy!

Click here to visit the Mumford & Sons Official Website.

Join Our Spring Campaign: "Invest Your Love" Mumford & Sons fans are coming together in the name of the band to support The Voice Project this spring. Click here to find out how you can join and invest your love!

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